With festively unpredictable live shows, Twisted Pine follows Americana masters Nickel Creek and Punch Brothers on a genre-bending, limitless trajectory.
The phenomenal Boston song machine Twisted Pine delivers a cabinet of inventions with its self-titled summer of ’17 debut release from Signature Sounds Recordings. The all-original album showcases a new force in Americana: four versatile players and singers writing and improvising across forms in bluegrass, folk, funk, jam, and vintage radio pop.
Twisted Pine's album expands on the early life of the ensemble, which formed around a common obsession with the American bluegrass repertoire. The group rose fast in Boston, in the urban incubator of conservatories and Back Bay venues that produced label roster-mates Lake Street Dive and Crooked Still, plus Sarah Jarosz, Gillian Welch & David Rawlings, Esperanza Spalding, and Annie Clark (St. Vincent). Twisted Pine took an extended residency at the Cantab Lounge, the Mass Ave. dive bar in Cambridge where the raging Northeast bluegrass scene coalesces on Tuesday nights. The players, most of whom were still at Berklee College of Music, built those first set lists with deeply satisfying bluegrass interpretations. They ventured out during school-year summers to play festivals, and won first place in the prestigious band competitions at MASS MoCA's FreshGrass Bluegrass Festival and Thomas Point Beach Bluegrass Special. Their resume grew: Joe Val Bluegrass, Green River Festival, Otis Mountain Get Down, RockyGrass (where they were runners up in a wicked sudden death band competition), Musikfest, Grey Fox Bluegrass Festival, Ossipee Valley Music Festival, Celtic Connections (Glasgow), Club Passim's Down Home Up Here Bluegrass Festival, and many more. With a festive, anything's-possible stage presence, Twisted Pine built a reputation for stellar musicianship, string virtuosity, and luminous harmonies, all of which remain their hallmarks.
Twisted Pine evolved into something more than an interpreter of vintage American works; the band began to arrange bluegrass treatments of pop covers like Blondie's "Heart of Glass", and a mashup of Bill Monroe and Vulfpeck -- which went viral when Vulf re-posted the video. A certain inventiveness, combined with a compelling and growing list of each player's originals, caught the attention of Signature Sounds.